An image film for a company, a product film for a launch, a vehicle in motion, a conference that goes out live from three rooms. Same crew that shoots world championships, pointed at a brief that has a sign-off chain instead of a heat sheet.
Everything below is real, finished, delivered work. It is grouped by who it was made for, because on this kind of job that is the only thing worth grouping by.
Why there is no view count on this page. The rest of this site counts views, because the rest of this site is work published on social and broadcast channels where views are the honest measure. This is different work: client masters, delivery links and a company's own conference. Their play numbers are single and double digits and would tell you nothing except that a company does not sit and re-watch its own film. What is shown instead is the client, what the job was, and what it took.
The Consilio Summit 2020, in Munich: a hybrid conference, attended in the room and streamed at the same time. Three rooms went out live across the day, plus the keynote - just over fifteen hours of live output between them - and nineteen individual sessions came back out of it as finished recordings.
A brand's whole season, presented. Four long-form range presentations - boards, SUP, wing and waterwear, and sails - running to nearly six hours between them, plus eight finished product films. This is the other half of what a company buys: not an event to stream, but a range to explain, in a form a dealer or a distributor can sit through and a marketing team can cut from.
Long-form range presentations
Of presentation, across the four
Finished product films, 2–5 minutes each
Two seasons of range work
Longest of the four is the windsurf board presentation at just under two hours. The product films cover X Winger, FSW, Slalom, Hydrofoil, Hydrofoil Slalom, Freakfoil, Freefoil Air and the GT-S SUP.
Why there is nothing to click on those covers. They are the covers of a client's own conference sessions, and almost all of those sessions are unlisted: it is Consilio's internal programme, not our showreel. So this page shows what the day looked like at scale and stops there. No session is named, no speaker is named, and nothing links out.
Two further films for the same client, finished and delivered as masters in the autumn of that year. They are named for their subjects - EH&S and DSAG - and each runs a little over three minutes: long enough to carry an argument, short enough to survive an internal review.
A pair of image films for a gym, a minute each: one for the women's side of the club, one for the men's. Two films instead of one is how a club talks to two audiences without making either of them sit through the other's.
A two-minute image film for a movement artist - the one set on this page where the subject is a person rather than a place, a product or a piece of machinery.
One more company film sits on the Munich page rather than this one, because its own title names the city it was made in.
Tracking a vehicle is a rigging and timing problem before it is a camera problem: the car moves, the camera moves, the light moves, and the shot only exists if all three agree. It is the same problem as a rider at speed, which is our normal working environment.
What these three films say about themselves, and what they do not. The two X-Class films are published under the words For Commercial Use. That is a licensing note carried by the films; it is not a statement about who commissioned them, and this page does not turn it into one. The Iceland film names two parties in its own title, Cozy Campers and VW, and nothing in the source says which of them was the client. They are here as work we made and delivered. Where a film states the client relationship, this site states it too - and where it does not, neither do we.
Four of these have work of ours on this page already. The rest are the same crew and the same workflow pointed at a different brief - and where there is no film of ours to show for one yet, the card says so instead of implying otherwise.
The film a company shows when it has to introduce itself - on the website, at a fair, in a pitch, in a recruitment ad. Built around people doing the actual thing, not around a boardroom.
Three minutes on one topic, scripted with you, shot to the script, and delivered as a finished master your team can sign off and keep.
An object that has to look like it works. Tracking, gimbal, drone and FPV in one crew, so the move that sells the product is not a hire-in with its own day rate.
A fixed schedule, a badge-gated hall, a stage that runs late and a cut that has to be out before the delegates fly home. That is the shape of a championship day, which is the thing we do most - and it is the shape of the summit at the top of this page.
Aerial plus interior, and for a build site the same flight path repeated month after month, which becomes a timeline film at handover. Licensed, insured and permitted for each flight - the detail is on the drone page.
Captions, voice-over, titles and delivery in English and German, for a company selling into the German-speaking market and out of it. Usage, territory and term are written into the quote before the shoot, so the film can legally run where you intend to run it.
What the film has to do, who has to sign it off, and when it has to exist. You get back a treatment, a shoot plan, a delivery list with dates and a price - in English or German.